{"id":1693,"date":"2024-07-12T15:44:26","date_gmt":"2024-07-12T13:44:26","guid":{"rendered":"https:\/\/www.theatre-du-corps.com\/formation\/?page_id=1693"},"modified":"2024-07-12T16:45:52","modified_gmt":"2024-07-12T14:45:52","slug":"certifications","status":"publish","type":"page","link":"https:\/\/www.theatre-du-corps.com\/formation\/certifications\/","title":{"rendered":"Certifications"},"content":{"rendered":"

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Certifications<\/p>\n

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POC d’Alfortville – 6 juillet 2024 – Promotion Maya Plisetskaya<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb header_letter_spacing=\u00a0\u00bb3px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Pr\u00e9sidente du Jury Fanny Pawyza<\/strong>
Membres du jury Marie-Claude Pietragalla, Julien Derouault, Beno\u00eet Dissaux, Maxime Cozic<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_line_height=\u00a0\u00bb2.1em\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Le Certificat Professionnel de Niveau 5 pour le titre d\u2019\u00ab Artiste de Th\u00e9\u00e2tre Corporel \u00bb, RNCP38915 enregistr\u00e9 au R\u00e9pertoire National des Certifications Professionnelles par arr\u00eat\u00e9 du 6 f\u00e9vrier 2008 publi\u00e9 au Journal Officiel du 21 f\u00e9vrier 2008.[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#0D25DF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb5%||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/Lauryn-Calvo.mp4″ image_src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/IMG_3711.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb border_width_all=\u00a0\u00bb2px\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbPoppins||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#0d25df\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Femme, vie, libert\u00e9<\/span><\/strong><\/span><\/h2>\n

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Chor\u00e9graphie Lauryn CALVO<\/strong> <\/span><\/p>\n

Avec Baptiste Ollier, \u00c9tienne Lloria, Louna Lebeau, Samantha Didier, Lauryn Calvo\u00a0<\/span><\/p>\n

Inspir\u00e9 du film documentaire \u00ab <\/span><\/em>Sept HIVERS \u00e0 T\u00e9h\u00e9ran<\/span> \u00bb 2007, T\u00e9h\u00e9ran
Reyhaneh Jabbani , jeune iranienne de 19 ans, \u00e9chappe \u00e0 une agression
sexuelle en poignardant l\u2019homme qui \u00e9tait sur le point de la violer. Elle va
\u00eatre accus\u00e9e de meurtre et condamner \u00e0 mort.<\/span><\/em><\/p>\n

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Douce clart\u00e9<\/span><\/strong><\/h2>\n

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Chor\u00e9graphie Matthieu CONVERT <\/strong><\/span><\/span><\/p>\n

Avec Margot Bouchet, David Issautier, Salom\u00e9 Champagne, Lilas Bordron, Mahault Vitalis, Blandine Vialettes, Romain Ovi\u00e8ve, Joao Pongitore, Lise Fromont<\/span> <\/span><\/p>\n

Dans cette pi\u00e8ce o\u00f9 se m\u00ealent danse, th\u00e9\u00e2tre et chant, Matthieu questionne la fronti\u00e8re entre la Vie et la Mort et, guid\u00e9 par de nombreuses interrogations, il ouvre la porte \u00e0 de nouveaux possibles. A travers le voyage dans l’espace de la mort d’une jeune femme victime d’un accident de voiture, il se demande si nous ne pouvons pas, d\u00e8s \u00e0 pr\u00e9sent, poser un regard nouveau sur la Vie.<\/span><\/em><\/p>\n

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Routes sombres<\/span><\/strong><\/h2>\n

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Chor\u00e9graphie Alioune SOW<\/strong><\/p>\n

Avec Alioune Sow, Lucie Goudeau, Sylvain Musso, Lauryn Calvo<\/p>\n

Bien plus qu\u2019un spectacle de danse, c\u2019est une exp\u00e9rience artistique et humaine profonde, invitant \u00e0 la r\u00e9flexion, \u00e0 l\u2019empathie et \u00e0 la compassion. C\u2019est un hommage \u00e0 la force de l\u2019esprit humain et \u00e0 la capacit\u00e9 de chacun de trouver sa voie vers la lumi\u00e8re, m\u00eame dans les moments les plus sombres de la vie.<\/em><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#0D25DF\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb5%||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/Prince-Mihai.mp4″ image_src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/prince.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb border_width_all=\u00a0\u00bb2px\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbPoppins||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Adrien, mon amour<\/span><\/strong><\/h2>\n

<\/span><\/p>\n

Chor\u00e9graphie Prince MIHAI<\/strong><\/p>\n

Avec Margot Bouchet, Vincent Kessler, Morgan Gruvel, Lucie Goudeau, Lola Pietragalla-Derouault, Th\u00e9o de Bock<\/p>\n

Entre passion et d\u00e9sespoir, <\/em>\u00ab\u00a0Adrien, mon amour\u00a0\u00bb plonge le spectateur dans un <\/em>univers o\u00f9 les fronti\u00e8res entre l’amour et la souffrance s’effacent. Cette trag\u00e9die met <\/em>en lumi\u00e8re les cons\u00e9quences d\u00e9vastatrices de la pression sociale sur les individus et les <\/em>sacrifices que l’on peut \u00eatre amen\u00e9 \u00e0 faire au nom de la conformit\u00e9 sociale.<\/em><\/p>\n

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Vent du temps<\/span><\/strong><\/h2>\n

\u00a0Chor\u00e9graphie Sylvain MUSSO<\/strong> <\/span><\/p>\n

Avec Joao Pongitore, Salom\u00e9 Champagne, Sylvain Musso<\/span><\/p>\n

Vent du Temps est une pi\u00e8ce de danse pluridisciplinaire qui cherche \u00e0 toucher un sentiment tout particulier chez son spectateur, la m\u00e9lancolie. \u00c0 travers une esth\u00e9tique l\u00e9g\u00e8rement vieillie ayant pour but de rappeler une \u00e9poque r\u00e9volue et faire souffler un vent de nostalgie. Un point important qui sera mis en avant dans cette pi\u00e8ce est celui de l\u2019\u00e9coute et de l’attention port\u00e9e entre les danseurs.<\/em><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#0D25DF\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb5%||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/Etienne-Lloria.mp4″ image_src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/lliora.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb border_width_all=\u00a0\u00bb2px\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbPoppins||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Sph\u00e8re<\/span><\/strong><\/h2>\n

Chor\u00e9graphie Etienne LLORIA <\/strong><\/span><\/p>\n

Avec Lauryn Calvo, Alioune Sow, Blandine Vialettes <\/span><\/p>\n

Sph\u00e8re est une pi\u00e8ce chor\u00e9graphique qui nous plonge dans l\u2019int\u00e9riorit\u00e9 de la t\u00eate d\u2019un \u00eatre humain, dans notre endophasie, notre voix int\u00e9rieure. J\u2019ai d\u00e9cid\u00e9 <\/em>de travailler sur l\u2019endophasie car je me suis longuement questionn\u00e9 sur le langage de nos pens\u00e9es.<\/em><\/p>\n

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Pr\u00e9lude au pourpre<\/span><\/strong><\/h2>\n

Chor\u00e9graphie Baptiste <\/strong><\/span>OLLIER <\/span><\/strong><\/p>\n

Avec Laure Boisson, Lise Fromont, Ylona Bonnet, Matthias Damay-Romey, Prince Mihai<\/span><\/p>\n

<\/span><\/p>\n

Cette pi\u00e8ce est le r\u00e9cit d\u2019une fille vivant l\u2019\u00e2me endormie, \u00e9tant tiraill\u00e9e par un huissier de justice. Celui-ci viendra non pas pour la mettre en garde de ses retards de paiement, il s\u2019introduira dans son intimit\u00e9 pour l\u2019inciter \u00e0 consommer toujours plus.<\/span><\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#0D25DF\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb5%||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/Samantha-Didier.mp4″ image_src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/didier.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb border_width_all=\u00a0\u00bb2px\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbPoppins||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

<\/span><\/span><\/strong><\/h2>\n

Ceux qui s’aiment se laissent partir<\/span><\/span><\/strong><\/h2>\n

<\/span><\/span><\/strong><\/p>\n

Chor\u00e9graphie Samantha DIDIER <\/strong><\/span><\/p>\n

Avec Laure Boisson, Samantha Didier<\/span><\/p>\n

<\/span><\/p>\n

Une pi\u00e8ce tir\u00e9 du roman de Lisa Balavoine, bas\u00e9 sur sa m\u00e8re, une femme insaisissable en qu\u00eate d\u2019amour fou, entrainant sa fille dans cette vie tourment\u00e9e. Entre fascination et angoisse la fille se d\u00e9bat aupr\u00e8s de cette figure parentale attachante. Une pi\u00e8ce qui transmet par les mouvements du corps et de la voix la puissance de ces deux personnages. Peut-on se r\u00e9concilier avec son pass\u00e9 ?<\/em><\/p>\n

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<\/span><\/span><\/strong><\/h2>\n

Shikandra – Requiem pour une travers\u00e9e\u00a0<\/span><\/span><\/strong><\/h2>\n

<\/span><\/span><\/strong><\/p>\n

Chor\u00e9graphie Faiz AMED MOUHAMED <\/strong><\/span><\/p>\n

Avec Morgan Gruvel, Alioune Sow, Matthias Damay-Romey, Alioune Sow, Lilas Bordron, Lola Pietragalla Derouault, Sylvain Musso, Vincent Kessler, Mahault Vitalis <\/span><\/p>\n

<\/span><\/p>\n

Shikandra est un poisson Comorien, il est tellement dur que pour le cuisiner il faut d\u2019abord enlever enti\u00e8rement sa peau. L\u2019\u00e9corcher vif. C\u2019est aussi une op\u00e9ration militaire \u00e0 Mayotte, dans l\u2019Oc\u00e9an Indien, qui consiste \u00e0 attraper des personnes sans papiers et les rapatrier. Le projet part d\u2019un constat personnel sur des faits qui touchent le quotidien de plusieurs familles, qui traversent la mer pour chercher une meilleure vie.\u00a0<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#0D25DF\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb5%||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/Lucie-Goudeau.mp4″ image_src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/goudeau.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb border_width_all=\u00a0\u00bb2px\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbPoppins||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

<\/span><\/span><\/strong><\/h2>\n

Tout le chaos que l’on porte\u00a0<\/span><\/span><\/strong><\/h2>\n

<\/span><\/span><\/strong><\/p>\n

Chor\u00e9graphie Lucie GOUDEAU <\/strong><\/span><\/p>\n

Avec Lucie Goudeau <\/span><\/p>\n

<\/span><\/p>\n

Confuse et sans sens, voil\u00e0 comment peut para\u00eetre l\u2019existence. On est jeune, mais pour combien de temps encore ? Qu\u2019a-t-on \u00e0 raconter quand on n\u2019a rien vu ni v\u00e9cu ? O\u00f9 trouver la l\u00e9gitimit\u00e9 de dire ? Col\u00e8re, frustration et confusion \u00e0 l\u2019aube de l\u2019\u00e2ge adulte; une furie contre tout, contre l\u2019enfance \u00e9vapor\u00e9e, l\u2019hostilit\u00e9 du monde qui n\u2019attend rien ni personne, le bruit assourdissant des pens\u00e9es, mais surtout, une rage contre soi-m\u00eame.<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#0D25DF\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb5%||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/Matthias-Damay-Romey.mp4″ image_src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/matthias.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb border_width_all=\u00a0\u00bb2px\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbPoppins||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

<\/span><\/span><\/strong><\/h2>\n

Morpheus<\/span><\/span><\/strong><\/h2>\n

<\/span><\/span><\/strong><\/p>\n

Chor\u00e9graphie Matthias DAMAY-ROMEY <\/strong><\/span><\/p>\n

Avec David Issautier, Baptiste Ollier <\/span><\/p>\n

<\/span><\/p>\n

C\u2019est l\u2019histoire d\u2019un homme d\u00e9truit de l\u2019int\u00e9rieur , remplit de doute et de m\u00e9lancolie , rong\u00e9 par son subconscient qui le freine \u00e0 vivre et ressentir son propre bonheur. Le personnage est tellement triste qu\u2019il est a la recherche d\u2019un moment de r\u00e9pit , de soulagement. Pour fuir sa sombre vie, David se drogue avec tout ce qu\u2019il peut \u00eatre possible ; m\u00e9dicament ,drogue et sexe. Au fur et \u00e0 mesure David commence a perdre la t\u00eate et devient schizophr\u00e8ne.<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#0D25DF\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb5%||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/Morgan-Gruvel.mp4″ image_src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/gruvel.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb border_width_all=\u00a0\u00bb2px\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbPoppins||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Messieurs les censeurs, bonsoir !\u00a0<\/span><\/strong><\/h2>\n

<\/span><\/span><\/strong><\/p>\n

Chor\u00e9graphie Morgan GRUVEL <\/strong><\/span><\/p>\n

Avec Laure Boisson, Blandine Vialettes, Samantha Didier, Salom\u00e9 Champagne, Lilas Bordron, Prince Mihai, Romain Ovi\u00e8ve <\/span><\/p>\n

Dans cette pi\u00e8ce de danse -th\u00e9\u00e2tre, un micro \u00e0 la main, on ose enfin exprimer librement son opinion, cette cr\u00e9ation pour 8 danseurs place l\u2019artiste au premier plan et l\u2019accompagne pour devenir le porte-parole d’id\u00e9es engag\u00e9es et controvers\u00e9es. Le metteur en sc\u00e8ne de cette cr\u00e9ation, \u00e9galement repr\u00e9sentant des censeurs, ne voit pas du m\u00eame \u0153il la suite des \u00e9v\u00e8nements.\u00a0<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_section][et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb background_color=\u00a0\u00bb#0D25DF\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb5%||||false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/Louna-Lebeau.mp4″ image_src=\u00a0\u00bbhttps:\/\/www.theatre-du-corps.com\/formation\/wp-content\/uploads\/2024\/07\/lebeau.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb border_width_all=\u00a0\u00bb2px\u00a0\u00bb border_color_all=\u00a0\u00bb#FFFFFF\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.26.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbPoppins||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb text_font_size=\u00a0\u00bb16px\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb locked=\u00a0\u00bboff\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Fragments ou la loi du silence<\/span>\u00a0<\/span><\/strong><\/h2>\n

<\/span><\/span><\/strong><\/p>\n

Chor\u00e9graphie Louna LEBEAU<\/strong> <\/span><\/p>\n

Avec Louna Lebeau, Matthieu Convert, Ma\u00e9na Bescang\u00e8le, Ylona Bonnet, Th\u00e9o De Bock, David Issautier<\/span><\/p>\n

<\/span><\/p>\n

C’est une oeuvre qui plonge le spectateur dans le monde int\u00e9rieur d’Anna, une jeune femme confront\u00e9e \u00e0 ses souvenirs de violences sexuelles. \u00c0 travers la danse et le th\u00e9\u00e2tre, la pi\u00e8ce explore les m\u00e9andres de la psych\u00e9 humaine. En abordant les m\u00e9moires de violences sexuelles \u00e0 travers le prisme du cauchemar, elle met en lumi\u00e8re les profondeurs de cette souffrance, offrant ainsi une plong\u00e9e dans l’\u00e2me tourment\u00e9e d’Anna.<\/em><\/p>\n

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Partir sans savoir o\u00f9<\/span>\u00a0<\/span><\/strong><\/h2>\n

<\/span><\/span><\/strong><\/p>\n

Chor\u00e9graphie Blandine VIALETTES<\/strong><\/span><\/p>\n

Avec Blandine Vialettes<\/span><\/p>\n

<\/span><\/p>\n

\u201cPartir sans savoir o\u00f9\u201d est une r\u00e9flexion sur la question du futur, du l\u00e2cher-prise et du r\u00eave. Un fil tendu, un sac \u00e0 dos, une vie devant soi, pour faire quoi, pour aller o\u00f9 ? Lorsque l\u2019on r\u00e9ussit \u00e0 s\u2019extraire de la ville et sa vitesse, de la soci\u00e9t\u00e9 et son capital, que reste t-il? Un peu amoch\u00e9 mais encore plein de r\u00eave, un \u00eatre s\u2019aventure dans l\u2019immensit\u00e9 de sa solitude et dans un silence peupl\u00e9 de voix cherche \u00e0 comprendre quelle est sa route. <\/em><\/p>\n

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CertificationsPOC d’Alfortville – 6 juillet 2024 – Promotion Maya PlisetskayaPr\u00e9sidente du Jury Fanny PawyzaMembres du jury Marie-Claude Pietragalla, Julien Derouault, Beno\u00eet Dissaux, Maxime CozicLe Certificat Professionnel de Niveau 5 pour le titre d\u2019\u00ab Artiste de Th\u00e9\u00e2tre Corporel \u00bb, RNCP38915 enregistr\u00e9 au R\u00e9pertoire National des Certifications Professionnelles par arr\u00eat\u00e9 du 6 f\u00e9vrier 2008 publi\u00e9 au Journal […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1693","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.theatre-du-corps.com\/formation\/wp-json\/wp\/v2\/pages\/1693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.theatre-du-corps.com\/formation\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.theatre-du-corps.com\/formation\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.theatre-du-corps.com\/formation\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.theatre-du-corps.com\/formation\/wp-json\/wp\/v2\/comments?post=1693"}],"version-history":[{"count":16,"href":"https:\/\/www.theatre-du-corps.com\/formation\/wp-json\/wp\/v2\/pages\/1693\/revisions"}],"predecessor-version":[{"id":1751,"href":"https:\/\/www.theatre-du-corps.com\/formation\/wp-json\/wp\/v2\/pages\/1693\/revisions\/1751"}],"wp:attachment":[{"href":"https:\/\/www.theatre-du-corps.com\/formation\/wp-json\/wp\/v2\/media?parent=1693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}